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A post shared by Rachel English Walter means there are others who share her obsession, right? “People gravitate to storms — their power, their beauty and their ability to create and destroy,” she says. Ensure that every lick of paint is masterfully applied by choosing from Toolstation's variety of paint brushes suitable for a range of finishes on wood, plaster and more.Alternate titles: paintbrush. Hog bristles, for example, have long been used for paintbrushes and art brushes because such animal fibres are flexible and.Purchase from successful paint brush brands like Stanley, Prodec, Spekter and Nour paint brushes. Cut in and paint all areas with our Kana Premier Synthetic Brush Set, or our Stanley Dynagrip synthetic paintbrush set for an easier grip.

Through her art, Walter — who describes herself on social media as “a Realist painter inspired by the intersection of physical science, philosophy, and the skies” — gives enthusiasts a chance to experience the thrill of storms without exposing themselves to danger.Glancing through her work on Instagram or her website, it’s impossible to miss her intimacy with storms. Hurricane Ida, which barreled into Louisiana’s coast late last month — on the 16th anniversary of Hurricane Katrina’s devastation — has killed at least 82 people. I think that’s why they chase them and perhaps it’s also why people want to see them represented in artwork and bring that same sense of awe into their homes.”To be sure, that danger is deadly real.

“Illustrating atmospheric phenomena artistically makes a larger-than-life view of the knowledge, the perspective and ways of knowing the phenomena, bringing it closer for the viewer.” The aesthetics of the art — the dandelion whites, dazzling blues and sliced-up violets I wouldn’t have noticed in the real sky until Walter painstakingly painted them — appeal to a large viewership by “minimizing the seeming distance between art and science.”What can’t be minimized are the very real risks to life and property that storms pose. As does Walter’s.A post shared by Rachel English Walter paint the sky that can be photographed, perhaps much more “accurately”? “Art and science are two means to the same end … the pursuit of truth,” Mehrotra says. Her art, chasing the transcendence of weeds, pollen or dragonflies, focuses on doing just that. “The only difference is that I’m constrained by what exists in front of me, whereas the painter would be unlimited in their creation,” he remarks, perhaps referring to the poetic license that exists when you’re transferring an unfolding scene onto paper, filtered through the prisms of vision and imagination — that darned old chasm between life and art, between art and science.Indian visual artist Dhara Mehrotra, no stranger to seeking inspiration from elements of nature herself, feels that the chasm can be bridged. The more you look, the more real they become. Almost as real as masterful photographs of nature when it decides to unleash violence.Denver-based Jim Tang, who chases storms to photograph them, reckons that the urge to capture nature in flux is largely the same for both an artist and a photographer. Sometimes, stormier frames show a more menacing gray.

The canvas can capture them just as well as the camera can. As Walter has since shown, there are many ways to chase storms.